Showing posts with label exhibits. Show all posts
Showing posts with label exhibits. Show all posts

Wednesday, August 25, 2010

Keeping it real: observations from a kid-centered visit to the Natural History Museum

Outside with Charles Herndon' s Venus from the Ice Fields
I spent the better part of four hours today at the Cleveland Museum of Natural History with my two young daughters. After breakfast I let my not quite two year-old determine the day's adventure. Given a choice between the Zoo, the Cleveland Museum of Art, and CMNH, her answer was "dinosaurs," so off we went. As is often the case, I was struck by several things about the way my children explored, consumed, and internalized experiences, information, and exhibits during their visit.

First off, you should know that I worked at the Cleveland Museum of Natural History for over four years, so I am very familiar with the museum, its programs, and collections. Also, because the museum is our family favorite, my children have been attending regularly quite literally since they were born. This makes them something nearing age-appropriate experts on the different areas and exhibits at the museum. That said, the girls still delight in picking their journey through the galleries, encountering new finds and old favorites along the way.

Today, as usual, I let them choose our route through the museum, starting in Kahn Hall with the traveling exhibition Wild Music: Sounds and Songs of Life. This was our first visit to the temporary exhibit, so we were eager to try out the many interactive experiences offered inside. OBSERVATION #1: My kids aren't keen on headphones. I cannot be sure whether this lack of enthusiasm was due to their ages (almost 2 and almost 4), their comfort level with headsets sized for adults, or their frustration with the fact that I couldn't simultaneously hear what they were hearing and therefore couldn't share in their experience. Unlike my children, I recognize the convenience of employing headphones in a large exhibit filled with auditory experiences and the important role they play in reducing ambient noise. However, to all of you exhibit designers out there, remember that wherever you offer one set of headphones, you limit the collaborative group experience and hinder connections between visitors.

I must add that the individual headphone sets in Wild Music were offset by the number of group-friendly listening stations where sound was piped through external speakers. There was even a free-standing jam room where loud sounds could be freely explored and enjoyed by anyone willing to brave the noise.

From Wild Music we traveled downstairs to the Discovery Center where my kids always enjoy hands-on experiences related to content presented throughout the museum. The girls each have their own favorite games, activities, and stations in the "Disco Center," but I was delighted to see that they gravitated toward a few new activities first. OBSERVATION #2: My kids like to play the same games at the museum as they play at home, just in a different context. In the center of one of the child-sized tables was a clear plastic tub filled with common, everyday objects buried in "strata" made of different colored beans, grains, and ground corn cobs. The tub was the centerpiece of an activity illustrating the principles of stratigraphy, historic deposition, and archaeological discovery. Cards were stationed around the table inviting children (and adults) to conduct an "I spy" type scavenger hunt for objects buried in the tub, asking them to determine which objects were the oldest, and even encouraging them to draw conclusions from the items they observed. My kids loved this game! We regularly play "I spy" in the car, and my eldest daughter's favorite library books are from the I Spy series. Since the staff very thoughtfully used photos of the objects on the cards instead of a list of words, both of my nonreaders were able to participate equally in the hunt.

Another new activity stationed nearby the archaeology tub was a pottery reconstruction puzzle. Two foam plates were covered in some unknown durable coating (I couldn't figure out what it was, but it worked well), then painted to look like terra cotta. One plate was the sample form, and the other was broken into potsherds, which children could reassemble to reconstruct the "ancient" vessel. Both of my girls are puzzle nuts, so this activity was almost as popular with them as the pre-existing dinosaur and human body puzzles they enjoy on every visit to the Disco Center. I love puzzles too, and this simple activity was proof positive that you don't have to spend a lot of money to create a fun and valuable learning opportunity. Be creative!

When we finished playing in the Discovery Center, it was time for lunch, so we headed to The Blue Planet Cafe. OBSERVATION #3: Moms are happiest when there are healthy choices on the menu for everyone in the family. I'm pleased to report that not only was the food in the museum's cafe tasty and pretty healthy, but it was also very reasonably priced and amply portioned for sharing. I bought lunch for all three of us for less than $10. Not too shabby, and when when mama's happy... Well, you know the rest.

Old Bear at the entrance to the Perkins Wildlife Center & Woods Garden.
The second half of our visit involved visiting the natural history museum hot spots, namely the dinosaur hall and the outdoor wildlife center. Like most other toddlers and preschoolers, my daughters are big fans of cuddly little animals, and extinct megafauna, so these two areas of the museum are guaranteed winners. Generally, just strolling past the eagles, bobcats, and raccoons on our way back to the otter pond is enough to start them squealing with excitement. Unfortunately, we hit the animals at nap time today, so many of the more charismatic wildlife residents were tucked away in corners snoozing. Fortunately, the dinosaurs in the hall of prehistoric life always show up, and of course today was no exception.

Artfully mounted Tyrannosaurus rex and Triceratops horridus fossil casts appear engaged in a battle for the ages and dominate the center of the hall. These guys are show-stoppers, and on most of our visits a couple of spins around the perimeter provide ample stimulation without much interpretation, but today was different. OBSERVATION #4: My preschooler is now really interested in computer interactives. Touchscreens located at staggered positions around the T. rex display have been there since it was installed two years ago, but Nora never paid any real attention to them, until today. Perhaps now, after a year of preschool, and less than a month from her fourth birthday, she is ready to be more in control of how she consumes information in the exhibits? Or, perhaps she's only just grown tall enough to see the screen on her own. Whatever the reason, she couldn't get enough of diving a little deeper into the details. There was only one problem, all of the juicy details needed to be read aloud to her, as she is still a couple of years away from reading them on her own.

Are you developing an interactive program for your next exhibit? Consider adding a game-track for preschoolers and early readers, replacing written text with audio and pictures. After all, why go to the trouble and expense of producing a computer program full of type, when you could just add another text panel for a fraction of the cost? Get the most bang for your bucks; make sure your interactive is truly interactive, and also appropriate for multiple age groups.

It's common knowledge that if you want to gain valuable insight about how your programs and exhibits are (or are not) reaching your visitors you should walk the floors with a couple members of your target audience. Sure it's common knowledge, but with endless meetings, special projects, and new initiatives, it is hard to make it a common practice. Do your museum a favor and schedule some time this week to tag along on a tour, or take a casual stroll through the galleries. You may be surprised at what you observe and learn in those halls you have walked so many times before.

Monday, June 14, 2010

Cleveland Museum of Art Solstice Party promises a night of great art and music



In celebration of the long-anticipated reopening of the ancient Near Eastern, Egyptian, African, Greek, Roman, Byzantine, and some of the medieval art galleries this Saturday night, the Cleveland Museum of Art will be hosting a global music feast, featuring artists from Burkina Faso, Benin, Syria, and New York City. Beginning at 5:30 "Eventide" ticket holders can sample hors d'oeuvres from some of the best restaurants in town, cozy up to open bars, and rub elbows with the curators in the museum's galleries. "Twilight" guests may arrive at 7:30, as the music really gets going, and "Solstice" revelers are welcome any time after 10:00PM. Ticket prices range from $175 ($120 for museum members) for Eventide admission, down to just $15 for Solstice tickets, provided you purchase them in advance. All tickets are good until closing time at 2:00AM.

Last year, as the Museum hailed the grand opening of the renovated and expanded East Wing, over 4,000 Solstice guests crowded the galleries and lined up outside waiting to get in to what turned out to be the party of the year. From the looks of this year's line-up, Solstice 2010 promises to be another incredible fete. With the reopening of the ancient, medieval, and African galleries Saturday night, the Museum will increase the quantity of art on exhibit by 60%. Don't miss your chance to be one of the first in Cleveland to glimpse the likes of Apollo Sauroktonos, and catch some hot musical artists from around the globe. Visit the Museum's fresh new website at www.clevelandart.org to purchase tickets and find a detailed schedule of the Solstice festivities. I'll see you there Saturday night!

Tuesday, May 25, 2010

Can we crowdsource a museum studies course? Of course!

Who's ready to crowdsource a class for next fall? Raise your hand!

Crowdsource. Yes, it's a buzzword these days, but it is also a truly great idea. For those of you who need a working definition, here is mine.

Crowdsourcing: outsourcing a problem or set of challenging tasks generally assigned to one person to a large group or segment of the population in order to gain multiple perspectives, capitalize on group experience, and engage new audiences.

This is not the official definition, but it acknowledges the main concept and practical applications of the idea. Given the current interest in all things related to the concept of crowdsourcing, including its application in museum practice, could we apply these principles to the generation of a brand new college course in exhibition development and design?

The photo above was obviously taken at the University of Michigan, my alma mater, outside of the "Big House", home to one of the largest regularly-assembled crowds. The course in question is being offered in the Museum Studies program at Walsh University in North Canton, Ohio, home to a much smaller crowd, but fortunately here is a situation where size really doesn't matter. Ideally, the concept of crowdsourcing does not discriminate based on the relative size or status of the organization posing the question, but merely offers up the wisdom, experience, and panorama of viewpoints held within the larger group.

Today, we have an opportunity to prove the concept to young people preparing to enter the museum field. Beginning in August I will be teaching a new course in exhibition development and design at Walsh University. I am currently compiling my ideas for lectures, projects, texts, and specific content to present throughout the semester. As part of my effort to highlight fresh and relevant theories and approaches to museum exhibition, I intend to address the need for greater audience engagement and participatory experience within museum environments. One of the texts I intend to use is Nina Simon's The Participatory Museum, which brilliantly describes the process for creating these intentional spaces.

Pushing the participatory envelope just a bit further, I thought I would engage my own audience for ideas and input. What topics and/or experiences would you include in this course were it yours to develop? So far, the Department Chair has only given me a course title (which I immediately, if unofficially, altered to broaden the scope of the class) and a time slot. Other than these two basic parameters, I am free to construct the course as I choose, designing a curriculum that prepares college juniors and seniors to plan, prepare, produce, and install compelling museum exhibits for our 21st Century visitors.

Putting to work the theory that many minds are better at solving a problem than just one, I am asking for your help. Post your top 5 topics not to be missed in an exhibit development course. Help me help you! Together we can design a course that adequately prepares the next generation of museum professionals for service in your institutions.

Tuesday, December 22, 2009

Chagall exhibit pulled from the Fresno Met

It is tremendously sad when you read a story like this one. On Sunday, the Fresno Metropolitan Museum was forced to close one of its exhibits two weeks early, as a representative of the lending institution reclaimed the artwork off of the gallery walls. The unannounced seizure was due to nonpayment of exhibition rental fees and in hopes of heading off complications from the potential closure of the museum itself.

I cannot imagine how demoralizing this experience was for the museum staff present during the unceremonious removal of the 65 Chagall etchings. It must have been terrible trying to maintain an air of professionalism in light of the embarrassing circumstances that precipitated the reclamation of the exhibit.

Although I do not personally know any of the staff at the Fresno Met, I was contacted by the Museum in the summer of 2008 as their renovation project was drawing nearer to completion. We had a very positive conversation about the forthcoming installation of their new galleries and potential programming to coordinate with their new exhibits. I was disappointed that I could not help them with their project (I was far too pregnant to fly from Ohio to Fresno), because there was so much excitement and energy around the culmination of years spent planning, preparing, and undergoing the renovation. Now, just a little more than a year after the building reopened to the public, things have come to a tragic climax, and it is indeed very sad.

I remember the experience I had seven years ago, working for a museum that was in danger every day of closing its doors for good. Eventually, I was laid off, along with the rest of the professional staff, as only a bare-bones operations crew remained to help the organization limp along until things turned around. Truthfully, that museum is still limping along, but it remains open, and the visitors keep coming. It was incredibly humbling to walk out the door of the organization I had served with such dedication, knowing it was for the last time as a staff member, but the tough times teach us a lot about how to regroup and rally.

I hope the staff at the Fresno Met eventually finds a way to turn this unfortunate experience into a professional positive, because I have no doubt that packing those crates on Sunday afternoon really sucked.

Use this link to find the complete article, which appeared in the Fresno Bee.


Posted at 10:13 PM on Sunday, Dec. 20, 2009
By Paula Lloyd / The Fresno Bee


Monday, December 21, 2009

Temporary position in exhibits department at the Rock Hall

Today I heard from my friend Christie Lucco, Director of Exhibitions at the Rock and Roll Hall of Fame, that she is currently seeking candidates for a Temporary Preparator/Exhibit Installer position, which will begin in February, 2010. Knowing that many museums have been forced to reduce staff during these tough economic times, I am posting the details and encourage everyone to share this information with those you may know who are currently looking for work.

  • The Rock and Roll Hall of Fame and Museum, the world’s first museum dedicated to the living heritage of rock and roll music, is currently seeking candidates for the position of Temporary Preparator / Exhibit Installer. The individual will work with the exhibits team to design and prepare artifact mounts, and to install/deinstall collections-based exhibitions. This is a temporary, full-time (40 hours a week, Monday-Friday) job that begins on February 15, 2010 and ends on May 14, 2010. The wage for this position is $15.00/hr.
  • The qualified candidate must have previous experience with proper handling and care of museum artifacts, exhibition installation techniques, mount making and framing. Requires knowledge of basic carpentry tools and machinery and an understanding of materials used in the construction of museum exhibits.
  • Candidates must successfully pass a background investigation, drug screening and reference check. For consideration send resume and cover letter detailing your qualifications to: Christie Lucco, Director of Exhibitions, clucco@rockhall.org.

The Rock and Roll Hall of Fame and Museum is an equal opportunity employer and a drug free workplace.

Friday, September 4, 2009

Scifri Videos: Space Golf, Astronaut Included

Here is a great new Science Friday video about the New York Hall of Science's innovative, outdoor science exhibit-- a miniature golf course! If only every science exhibit could be half this interactive, and come with a real, live astronaut...

Scifri Videos: Space Golf, Astronaut Included

Posted using ShareThis

Enjoy the video, and a have a great holiday weekend! Maybe get out there with the family and enjoy a little mini-golf.

The photo is from a recent round of family mini-golf at Pirate's Island in Hilton Head, SC.

Thursday, September 3, 2009

Picture Hanging 101 from the New York Times

Hanging artwork in a museum or your own home can be a frustrating challenge if you are unfamiliar with the best methods and materials for the job. Fortunately, in her article in today's New York Times, Arianne Cohen has taken the guesswork out of the process with an excellent how-to article containing plenty of practical tips from the pros.

Check out the article by clicking on the link below, and if you still need help installing your next exhibit, gallery show, or just hanging your latest family portrait over the fireplace, call in your own expert for advice or assistance by posting a comment or dropping me an email.

THE FIX
By ARIANNE COHEN
Published: September 3, 2009
How to hang pictures like a professional.

Tuesday, August 25, 2009

Color choice is key in gallery design

Finally back from my vacation (sigh) and sifting through the mountains of email in my inbox, I came across the latest electronic issue of Sherwin-Williams' Stir magazine. In it there is a nice article about the importance of wall color in gallery spaces. Stir is a magazine aimed mainly at interior designers, but this article presents the issue of color choice from a museum's perspective, emphasizing the design process that takes place before gallery installations and the impact paint colors have on the visitors and the artwork.

Check out this article for important questions to ask in planning your next exhibit installation and key concepts to keep in mind when selecting a color palette.

A look at how museum exhibition designers maximize color

Tuesday, August 4, 2009

Scifri Videos: Museum Artists Keep It Real

I am posting a link to another cool Science Friday video, but this one is specifically about museums.

During my tenure as Director of Exhibits at the Cleveland Museum of Natural History, I was consistently impressed by the scientific reverence, technical skill, and imaginative artistry employed by our taxidermist, Larry Isard, a highly-acclaimed nature artist in his own right, and our exhibit artisan, Carl Jara, who is also an award-winning sand sculptor. Unfortunately, Larry passed away suddenly earlier this year, but his legacy will live on for years at the Museum. Carl is still busy at the Museum using his artistic ingenuity to interpret the natural world around him for museum visitors of all ages.

Click on the following link to check out the video paying tribute to the often overlooked art of the still-life diorama.

Catch me on Voices of the Past

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